Dracula by Bram Stoker gender and sensuality Essay

Dracula by Bram Stoker gender and sensuality - Essay ExampleIf an issue that engulfs the important fields like science, sociology and philosophy, it is finish and gender. It is extensively discussed and the seepoints atomic number 18 similar as well as contradictory. In some areas in Dracula, they are simply confusing. One finds Stoker is also seized with similar problems and is unable to adhere to a fixed viewpoint. He challenges the popular view of the distinctness of gender boundaries and at other times, steadfastly supports them. Stocker subscribes to the commonly accepted view of the Victorian authors that the assigned status of the women is natural and correct and it is essential to maintain them for the success of gender dealings and for overall welfare of the society. Those who transgressed the prescribed limits were considered as aberrant and degenerate. Victorians had a fair assessment of the roles of both the sexes. Since ages, and in Victorian times in particular, man s power has been progressive, active and defensive and the power of cleaning woman is sweet, persuasive, orderly arrangement, astute in decision making and her sixth sense works well which makes her unable(predicate) of error. As said earlier, Stockers viewpoint on gender and sexuality is traditional, hardly gender blurring is interpret in Dracula by mina Harker and Lucy Westenra. The male characters in the novel also follow event and deviate from the prescribed path. To be specific, Jonathan Harkers encounter with the female vampires The sexual roles take an about--turn as for vampires in Draculas castle. ... Stoker writes about her arrogance, (1994, p.46) How dare you touch him, any of you? This man belongs to me Yes, I to a fault can loveI promise you that when I am done with him you shall kiss him at your will. much of feminism engulfs the men folk in Dracula. Dr. Van Helsing, while in carriage with Dr. Seward, after Lucys(first) death, goes hysterical, cries and laughs , righteous as a woman does (p. 186). The feminine characteristics attributed to a man are clearly depicted. Stoker does blotto rope-walking to elucidate his views on gender and sexuality in Dracula. It is not possible for him to express his rigid views on the subject of human sexuality, and he goes by what he sees in the total cultural context prevailing in the society then. Sexuality in Dracula is intriguing going by the established standards, but support to the wrong ideals on sex, makes the reputation more interesting and popular. At a cursory glance, the story appears to relate to the horrifying tale of Count Dracula, but on detailed analysis, one sees the gender and sexuality issues of the era are embedded in the story. But the issues that catch the attention of the readers are the means choose by women to counter female repression, the lead they take for sexual advances, and the submissiveness of the male characters like Jonathan Harker and Van Helsing and how Mina Murra y is subjected to repression because of the aggressiveness and dominance of the male gender. The contradictions in the sexual roles make it tough for the even analysis and explanation of Dracula. This is due to the polyphonic nature of Dracula. The scene in which Dracula makes, either through force or seduction, Mina to drink blood from his chest (p. 336)